In Benfield’s work the viewer can grasp the intention behind the thorough, yet intimate brushstrokes. His rendition of movement has a balance of spontaneity and conscientiousness. His paintings represent a discrete world of objects which combine figures, mythology, nature and still life.
Despite the casual appearance of his compositions, all imagery is highly organized, and after long observations one finds the hidden symmetry and beauty beneath the layers of finery. The background of his paintings is soft and his palette is constructed on sepia tones, most of it defined only with pencil and a slight highlight of color.
Gary Benfield’s treatment of softer colors is similar to that of Da Vinci who was one of the first Florentines to adopt oil paint and observed that the “true” color of a non-shiny surface (such as a face, hands or clothing) is to be found in highlighting movements and areas of the body. He used the term “sfumato” to describe the way in which he delicately blended highlights into shadows to “soften” edges between colors without the brushstrokes showing, without lines or borders, in the manner of smoke.
Though Gary was born in Birmingham, the most populous British metropolitan city outside London, today he paints in his Irish Countryside studio where he is inspired by the stunning nature of landscapes and animals that surrounds him. His works with animal subjects show his inclination to use nature as a framework to express himself - a trait that was markedly associated with Romanticism.
“I love the beauty of the line and I use these skills to create and transform inert materials into images of beauty and romance,” – Gary Benfield
For more on Gary Benfield's works visit us at Baterbys.com
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